Quick Facts
| Field | Details |
|---|---|
| Name | Lesia (Lesya) Winnicki |
| Approximate birth year | c. 1948 |
| Place of birth | West Germany (to Ukrainian parents) |
| Emigrated to | Canada (Ontario) |
| Marriage | Roman Winnicki, c. 1971 |
| Children | 4 — Katheryn (b. 1977), Markjan, Adam, Daria |
| Notable roles | Administrative assistant at CFUS (1990s), Vice-President UCC Toronto (2010s), Co-founder Winnick Foundation (Mar 2022) |
| Languages | Ukrainian (home), English |
| Key focus | Ukrainian cultural preservation, diaspora organizing, humanitarian aid |
| Public profile | Low; active in community organizations and family-led philanthropic work |
Origins: A Post-War Beginning and a Family Forge
Born in the unsettled years after the Second World War, Lesia entered life in a landscape shaped by exile and memory. Her parents—Galician by origin—carried with them the dialects, prayers, and stubborn habits of home regions like Lviv and Ternopil. A child of displacement, she came of age inside a household that held onto language and ritual like a talisman. The date often placed her birth around 1948; she celebrated a 70th birthday in 2018, a numerical anchor that helps map decades of personal and communal labor.
The arc of Lesia’s early life follows the broad sweep of mid-20th-century Ukrainian migration: West Germany as a temporary haven, the sea-crossing to Canada, and then the small, steady work of settling in Ontario. Settlement here was not only geographic; it was cultural. The home became a seedbed where Ukrainian was spoken first, where traditional foods and seasonal rites were taught by hand and by example, where the future was prepared by handing down the past.
Family and Home: A Tight Knot of Tradition
Family is the axis around which Lesia’s life turns. Married to Roman around 1971, the Winnicki household grew into a close-knit unit of four children. The best known among them, Katheryn (born December 17, 1977), later became a public figure, yet the household itself remained private and intentional. Children were raised to carry two measures: a Canadian life and a Ukrainian inheritance. They attended Ukrainian schools, participated in Plast scouting, and kept the language alive at home.
| Family Member | Role / Note | Year/Detail |
|---|---|---|
| Roman Winnicki | Husband; partner in cultural life | Married c. 1971; 50th anniversary 2021 |
| Katheryn Winnick | Daughter; actress; co-founder of family foundation | Born 1977 |
| Markjan Winnick | Son; occasional acting credits | Appeared alongside family in small roles |
| Adam Winnick | Son; low public profile | Minor acting/appearance notes |
| Daria Winnick-Goldsmith | Daughter; private | Family presence in gatherings |
The household acted like a small cultural embassy. Plast scouting provided a scaffold for leadership and civic education; family meals taught dialect and recipe in equal measure. The pattern was intentional: heritage was not a memory but a set of practices to be handed down.
Work, Service, and the Quiet Career of Community Building
Lesia’s professional life reads less like a résumé of high office and more like a ledger of service. In the 1990s she worked administratively for organizations devoted to Ukrainian studies and culture, a role that placed her in contact with scholars, donors, and civic events. By the 2010s she served in leadership at the Toronto branch of the Ukrainian Canadian Congress, carrying responsibilities that ranged from event coordination to representing community interests at commemorations and civic meetings.
Numbers here are modest but telling: decades of local service, dozens of cultural events coordinated, and a steady presence on boards and committees. She did not pursue public fame. Instead, she preferred the work that keeps institutions functional—the unseen labor that props up festivals, scholarship programs, and community memorials. Her influence is like the hidden buttress in a cathedral; it is not meant to be noticed but its absence would be catastrophic.
Timeline: Dates and Milestones
| Year / Period | Event |
|---|---|
| c. 1948 | Birth in West Germany to Ukrainian refugee parents |
| 1950s–1960s | Emigration and settlement in Ontario, Canada |
| c. 1971 | Marriage to Roman Winnicki |
| 1977 | Birth of daughter Katheryn |
| 1997 | Documented administrative role at Canadian Foundation for Ukrainian Studies |
| 2010s | Vice-President, UCC Toronto branch (approximate) |
| 2018 | Celebrated 70th birthday |
| 2021 | 50th wedding anniversary with Roman |
| Mar 2022 | Co-founded Winnick Foundation (humanitarian aid for Ukraine) |
| 2023–2025 | Continued community and foundation activity; public anti-impersonation messages on social platforms |
The timeline reads like a map of steady commitments. There are long stretches where the work is routine—board minutes, school events, a thousand small conversations—and then moments where history presses in, as in 2022, when a humanitarian crisis demanded new forms of action.
The Winnick Foundation and Humanitarian Pivot
The Russian invasion of Ukraine in 2022 reframed many lives in the diaspora, and Lesia’s life was no exception. In March 2022 she and her daughter launched a family foundation aimed at supporting women and children affected by the war. The foundation marked a shift from cultural preservation to urgent humanitarian relief, broadening the family’s focus to include fundraising, supply drives, and targeted support for underserved populations.
Concrete markers: the foundation’s launch date (March 2022), coordinated events such as ticket-giveaways and benefit actions, and an ongoing campaign centered on relief distribution and awareness. The move from cultural organizing to emergency aid illustrates adaptability; it is the same circuitry of community work, reconfigured for crisis.
Public Presence: Privacy, Media, and the Shape of Influence
Despite family members with public profiles, Lesia herself remains discreet. Her public statements are rare and purposeful. She avoids the limelight, preferring to let work and family speak for her. Social media appearances are cautious: posts about family, warnings about impersonation scams, and notices tied to the foundation’s work. You will not find extensive interviews or viral videos of her; what exists is family testimony and organizational records that show steady involvement across decades.
Her influence is fractal: small gestures that reproduce themselves. Teaching a child a song; organizing a memorial; distributing aid in a crisis. Those gestures multiply in the lives of others, like concentric ripples from a stone dropped in still water.
Memory and Continuity: The Cultural Thread She Wove
Lesia’s life is threaded by continuity. Language, ritual, and civic participation were passed down to children and the community. She embodies a particular immigrant modality: not the explosive ascent into celebrity or power, but the slow cultivation of institutions—schools, clubs, committees—that maintain a culture through generations. Birth dates and anniversaries become markers of an ongoing project: to keep a fragile set of traditions alive in a new land.
Her story reads like a quiet ledger of commitments. It measures itself not in headlines but in anniversaries kept, organizations maintained, and a family raised with reverence for a homeland difficult to visit yet always present in speech, food, and prayer.
Portrait in Practice
To see Lesia is to imagine a porch light left on for those who come late: steady, reliable, warming the way. Her life resists grand narrative and instead rewards a close inspection of work-aday fidelity. Numbers—1948, 1971, 1977, 2018, 2022—provide anchors. The true measure, however, is found in habits: weekly meetings, perennial festivals, the handing down of a language that survived exile. These are the quiet triumphs that shape a diaspora and make a family into a keepers’ circle for culture and care.