A Private Life in the Public Orbit
Lori Cicchino is a figure who lives mostly between the lines of public attention: present, pivotal, and private. Known primarily as the mother of actress Cree Cicchino, Lori’s story is not one of headlines but of steady decisions, small acts that ripple outward. She is the stable shore against which the early waves of a child’s career found direction. The facts that exist read like a family album with many pages intentionally left blank — dates, short greetings in a 2019 video, a handful of social tributes — yet those fragments sketch a portrait of a woman whose influence is measurable in choices made and opportunities given.
Basic Information
| Item | Detail |
|---|---|
| Full name (as referenced) | Lori Cicchino (possible maiden name: Bodero) |
| Heritage | Italian (maternal side) |
| Location linked to | Glendale, Queens, New York, USA |
| Family status | Married to Chris Cicchino; mother of twin daughters Cree and Jayce (b. May 9, 2002) |
| Public presence | Very limited; one family video (2019) and sporadic fan mentions on social media |
| Possible profession | Accounting professional (LinkedIn profile exists but match unconfirmed) |
| Public activity timeframe | Notable family milestones: 2002–present; scattered mentions 2019–2025 |
Family at a Glance
| Family Member | Relationship | Notable Details |
|---|---|---|
| Chris Cicchino | Husband | Ecuadorian-American family background; grandfather migrated from Ecuador |
| Cree Cicchino | Daughter (twin) | Born May 9, 2002. Actress: Game Shakers (2015–2019), Mr. Iglesias, The Sleepover (2020). Began dance at age 4; transitioned to acting at 11–12. |
| Jayce Cicchino | Daughter (twin) | Born May 9, 2002. Less public; part of close-knit family dynamic supporting Cree. |
Timeline: Key Dates & Milestones
| Year | Event |
|---|---|
| 2002 — May 9 | Twin daughters Cree and Jayce are born in Queens, NY. |
| ~2006 | Cree begins dance classes at age 4. |
| ~2013–2014 | Cree enrolled in acting classes at age 11–12; a shift from dance toward acting. |
| 2015 | Cree debuts on Nickelodeon’s Game Shakers at age 13. |
| 2019 | A short video titled “Cree Cicchino’s mother – Lori bodero cicchino” appears on Cree’s channel with brief greetings. |
| 2020 | Mother’s Day mentions on social media note Lori in fan tributes. |
| 2024–2025 | Sparse public mentions; family remains private with occasional fan posts. |
The Practical Choices That Shape a Career
There are moments that look small at the time and enormous later. Enrolling a 4-year-old in dance. Switching her to acting classes at 11 or 12. Agreeing to allow auditions and early travel. Those are the choices often invisible to viewers, and they are where Lori’s influence is most evident. She did more than cheer from the sidelines; she shepherded decisions: classes, schedules, and the household stability that underwrites any young performer’s life.
Numbers matter here: 4, 11–12, 13. They mark developmental pivots. They mark the rhythm of childhood moving into a profession. They are the arithmetic of a mother who counted classes, rehearsals, callbacks, and schoolwork — and chose family continuity over public spectacle.
Parenting Twins — Double Duty, Singular Focus
Raising twins presents logistical and emotional equations that are all its own. Lori raised Cree and Jayce together in Glendale, Queens, balancing twin schedules and the unique needs of two simultaneous childhoods. The public record emphasizes that Lori never remarried and that the household remained centered on the children and their upbringing. That single-mindedness reads as a commitment to consistency: one family unit, two daughters, one household. The image is domestic rather than glamorous; it is a home where attention is the currency and where privacy is valued.
Between Names and Profiles: Work and Quiet Identity
Professionally, Lori’s profile in public spaces is low. A LinkedIn profile for a “Lori Cicchino” in Queens County lists accounting-related work, but that match remains unconfirmed. Other individuals with the same name appear elsewhere (for example, in California), but they do not align with the family’s New York geography. The safest reading is that Lori prioritized family life and kept any professional identity out of the limelight. Her financial life is private; no net worth estimates, no press about employment history, no public awards. The absence of public professional details is itself revealing: it suggests a life deliberately lived away from celebrity’s spotlight.
The Twins in Focus: Two Paths, One Foundation
| Name | Born | Public Profile | Notes |
|---|---|---|---|
| Cree Cicchino | May 9, 2002 | High — actress, social presence | Began dancing at 4; acting from age 11–12; roles on TV and film from 2015 onward. Credits family support. |
| Jayce Cicchino | May 9, 2002 | Low — private | Twin sister; less public-facing but part of the family narrative and occasional fan mentions. |
Cree’s narrative often references the steady, domestic scaffolding that made auditions and rehearsals possible. The metaphor that fits is simple: Lori was not the spotlight but the stagehands, quietly rigging the lights so a daughter could walk into them and perform. Jayce’s quieter path reminds readers that one family can produce different relationships to publicity: one child as public performer, the other content with privacy.
Public Mentions and Digital Footprints
Lori’s public mentions are sparse and mostly indirect. A single 2019 video on a family channel records brief greetings; a 2020 Mother’s Day fan post names her; a November 2025 fan-group post references her in passing. Social media searches return sparse, often misattributed hits. There are no verified personal accounts that are clearly hers; no interviews, no bylines, no public-facing statements beyond the short family video. The digital footprint is the footprint of someone who chose to leave most of her life off the map.
Portrait in Practice: The Quiet Work of Support
Portraiture here is less about color and more about contour. Lori’s life, as it is visible, draws lines of dedication: the timing of classes, the dual responsibilities of raising twins, the family choices that allowed a child to work in entertainment at age 13. Small rituals add up: driving to classes, managing schedules, tending to school and home. These are the accumulations of daily labor that make public success possible. Think of her role as a long game: steady decisions, incremental investments, patience measured in years rather than articles.
How Privacy Shapes the Story
Privacy is a deliberate creative choice. It limits the narrative but also keeps its center of gravity inside the family. Without public statements or a visible professional trail, the outline of Lori’s life is defined by relationships and milestones: marriage, twins born May 9, 2002, the pivot from dance to acting around age 11–12, and the household base in Glendale, Queens. Those specific numbers and dates are anchors in a sea of discretion — coordinates that allow readers to map influence even when biography remains sparse.
The portrait that remains is of a mother who preferred action to announcement, presence to publicity, and the quiet mathematics of parenting to the public calculus of fame.