Private by Design: Sarahmay Wesemael — Architect, Designer, and Family Anchor

Quick Facts

Early Life, Education, and the First Acts

Born around 1979 and raised in New Jersey, Sarahmay’s pathway reads like a quietly choreographed routine: early discipline, a pivot to formal training, and then a shift into a life framed by family and design. She attended Jackson Memorial High School in the 1990s and later studied architecture at Norwich University in Vermont in the early 2000s. There are echoes of performance in her background — she worked as a dancer before committing to architecture — and that early life on stage seems to have informed a taste for movement, balance, and the sculpting of space.

Dates and places form a clean backbone to this story: circa 1979 (birth), 1990s (high school), early 2000s (university and early career), and a decisive turn in 2012 when she married Larry Robbins in a celebrated ceremony in Saint-Jean-Cap-Ferrat, France.

Marriage, Household, and a Blended Family

The wedding in 2012 marked more than a union; it was the hinge between a private past and a more public family life. The ceremony reportedly drew over 100 well-heeled guests, many traveling by private aircraft, and took place on the sun-bright Mediterranean shore of Saint-Jean-Cap-Ferrat. From that year forward, family life became central.

The family unit is large: three children of their own plus four step-sons make seven children under one blended roof. In 2024 the family moved from Alpine, New Jersey, to Florida — a move described as motivated by lifestyle and family priorities, notably less commuting and more time together.

Professional Life: Practice, Aesthetic, and Business Identity

Sarahmay leads RInc Management Designs as principal and is identified as founder of a creative imprint called Maison Design Arc. The available profile of her firm suggests a boutique, family-oriented practice: selective projects, personalized service, and an aesthetic sensibility informed by both structural training and a dancer’s eye for proportion.

Her career arc reads not as a parade of headline projects but as a focus on craft. There are no public lists of major commercial developments under her name; instead, the emphasis is on small-scale, high-attention residential and interior work. The firm’s identity is domestic: architecture that supports family life, interiors that breathe and move with the people who live inside them.

Numbers and scale are telling by omission: while her husband’s wealth is estimated in the billions, there are no published revenue figures or firm-size metrics for RInc Management Designs. That gap shapes how the firm is perceived: boutique rather than corporate, intimate rather than industrial.

Philanthropy, Public Presence, and Social Rhythms

Though intentionally low-profile, Sarahmay participates in philanthropic life alongside her husband’s established giving. She has been associated with charitable activities tied to the Robbins Family Foundation, and the family’s donations have supported parks, running organizations, and health initiatives in past years.

Her public visibility is measured: a notable appearance at the ADAPT Leadership Awards in New York in March 2025 stands out as a recent moment when she stepped onto the public stage. She attended with family members and close associates, including Tamara Wesemael, Deb Vitale, and Stacey Alvarez — an appearance that read like a soft public statement: present, engaged, but not insistent.

Social media offers small windows: a modest Facebook profile and an X account with few followers. The online presence mirrors real life — selective, controlled, discreet.

Timeline — Key Dates and Numbers

These dates construct a steady rhythm: education, early career, a high-profile wedding, then a domestic decade focused on family and selective professional practice, followed by a geographic shift in 2024 and a measured reappearance at public events in 2025.

The Shape of a Publicly Private Life

Sarahmay’s story resists sensationalism. It is the shape of a life where movement and structure coexist: former dancer turned architect, private individual within a high-net-worth constellation, creative professional who prefers the scale of family projects over public monuments. She operates in the shadow and light of a partner whose public profile is large; yet her voice — visible in design choices, philanthropy, and family decisions — is quiet but distinct.

Her life is like a room she designed: walls that shelter, windows that open to the wider world on her terms, and furnishings carefully chosen to support the people who inhabit it. The numbers anchor the narrative: three children born across six to seven years, a wedding in 2012 with more than 100 guests, a move in 2024 that reset the family geography, and an estimated family wealth that situates their social background.

Sarahmay remains, above all, an exemplar of discretion in an age that often conflates visibility with value. She shapes space, fosters family, and steps into the public eye only when the occasion — or the cause — aligns with the household’s rhythms.